Saturday, May 13th 12pm-5pm

Please email for an audition slot

 One-Year Program, By Audition Only, Singers and Non-Singers Welcome, Ages 12-18

October, 2017 – May 2018:

  • Mondays, 5:00-7:00pm / Six Saturday sessions (Cost: $1440)
  • Thursdays, 5:00-7:00pm / Six Saturday sessions (Cost: $1440)
  • College Audition Prep Wednesdays, 5:00-7:00pm (Cost: $900)

Resume, headshot and reel add-on fee: $250

Auditions will be held at the November Theatre at Virginia Rep Center.

Classes will be held at the Virginia Repertory Theatre Children’s Theatre at Willow Lawn.

Questions? Contact Director of Education Laine Satterfield



Read VCU student and Cadence Theatre Company intern Danielle Brown’s article on the impact of TRAIN


unnamed (1)TRAIN is Virginia’s Pre-Professional Actor Training Program led by Virginia Repertory Theatre and Cadence Theatre Company. This yearlong, sequential program will help the serious acting student learn practical applications of his or her artistic craft and build relationships in order to succeed in the business. Through working with Virginia’s top professional teaching talent, including .Arvold—an award-winning organization that provides casting, production and education, students will leave with monologues, dialects, audition skills, headshot / resume / reel, a vocal book, the opportunity to showcase their work for local directors and casting agents, and a better understanding of themselves as artists.

  • Technique: Stanislavski-based actor training, working with monologues, scenes, cold reads, script analysis, dialects, on-camera, vocal and physical
  • Rigor: Preparation, consistency, discipline, accountability, responsibility
  • Audition: Techniques and materials for college, specialty centers, professional theatre and film & TV opportunities
  • Immersion: Priority auditions, complimentary tickets, and backstage passes for VaRep/Cadence shows
  • Network: Building a network of relationships and contacts

This past year, our students worked professionally in Virginia Rep’s Gypsy and Summer & Smoke, Richmond Triangle Player’s A Boy from Oz, TV pilots, commercials, and voice-overs. They were accepted to Governor’s School, NYU summer programs, and conservatory programs.

Core Teaching Artists

Debra Clinton, Musical Theatre

Debra Clinton is a free-lance theatre artist, artistic director of the Jewish Family Theatre (JFT) at the Weinstein JCC, a playwright and lyricist, and a full-time theatre arts teacher in Hanover County. Delighted to start her second year on the TRAIN faculty, recent directorial efforts include Les Miserables, Student Edition (JFT), Croaker (Virginia Rep), The Whipping Man (Virginia Rep), Bad Jews (Theater Lab), and Man of La Mancha (Dogwood Dell). Upcoming projects include the classic American musical 1776 for Virginia Rep. As an actress, Debra has appeared most recently as Mazeppa, the trumpet wielding stripper on the Virginia Rep stage. A proud recipient of the 2013 Theresa Pollak Award for Theater, Debra is honored to be a part of the TRAIN experience.

Erica Arvold, Film / TV

Erica is known for executing the production and casting of high quality, character-driven projects; colleagues, clients, and partners will tell you “she’s the real deal.” Her passion for talent and storytelling is demonstrated through the wide range of productions her company, arvold., has produced and cast. For more than 28 years, Erica has contributed and participated in the casting of more than 150 films, 95 television projects and numerous theatre and short form media & commercials. She most recently cast the indie feature Permanent has recently served as location casting director for Jeff Nichols’ feature film Loving, the AMC series Turn: Washington’s Spies and two seasons of Netflix’s House of Cards. Erica produced and cast the indie film Josephine, served as associate producer and casting director on Coming Through the Rye, helped cast feature films Ithaca and Kicked by Grace, National Geographic’s Killing Kennedy, and her production company is currently producing the independent feature film Chesapeake. She was nominated for CSA’s prestigious Artios Award for the location casting of Steven Spielberg’s Lincoln in 2013 and for the casting of independent feature Big Stone Gap in 2016. Erica served as casting director for Ridley & Tony Scott’s Killing Lincoln, Hallmark Movie Channel’s Lake Effects, and cast and associate produced indie features Wish You Well and Texas Rein. She also produced and cast the psychological thriller House Hunting. As an educator, Erica travels across the country to speak, co-teach and lead master classes for film artists. She has collaborated with, among others, the University of Virginia, University of North Carolina, George Mason University, SAG-AFTRA, Robert Mello Studios, LOAA, MdM, DMR Adventures and the Cadence Theatre TRAIN program. In 2012, Arvold was inducted into the First Lady of Virginia’s Opportunity Hall of Fame for contributing to the economic growth in the state. She is a member of the Casting Society of America and the Academy of Television Arts & Sciences. Erica is grateful to the many writers, filmmakers and actors who have entrusted her to collaborate over the years.               

Laine Satterfield, Acting

Laine is an award-winning theatre artist who has performed in, taught, choreographed, directed and devised theatre both nationally and internationally. She holds a BFA from Tisch School of the Arts at NYU and has trained at the University of Eurasian Theatre, Stella Adler Conservatory, Carnegie-Mellon University, and the University College of London (dramaturgy – Shakespeare and modern British). She has taught at New York University, Stella Adler Conservatory, Aquila University, Virginia Governor’s School, Company of Fools, Artspower, SPARC, Center for the Arts, CenterStage, Cadence Theatre Company, the Joan Oates Institute for Partners in the Arts, and various workshops in the states and abroad. Laine founded the New York City based theatre group, World 3 Theatre Company, where she was Artistic and Founding Director. She also toured extensively with the international theatre group, Linea Trasversale, headed up by Eugenio Barba. She is a member of Actors Equity Association, and a panelist for the VCA’s Arts in Education Grant Program. Recent acting roles include Cadence Theatre Company’s Sight Unseen, Detroit (2015 RTCC Best Ensemble nomination), Virginia Repertory Theatre’s To Kill a Mockingbird, In the Next Room (or the Vibrator Play) for Cadence Theatre Company, Boston Marriage (Stella di Domani Festival at Spoleto, Charleston), under producer Carol Piersol: Gidion’s Knot (2013 RTCC Best Ensemble Acting Award), Cat on a Hot Tin Roof (2012 Best Actress nomination, RTCC), Who’s Afraid of Virginia Woolf (2011 Best Actress Award, RTCC), Eurydice (2009 Best Actress nomination, RTCC), and for Virginia Rep: The Little Dog Laughed (2008 Best Supporting Actress nomination, RTCC). Other favorite roles include Lady Macbeth in Macbeth, Elena in Uncle Vanya, Paulina in Death and the Maiden, and Ariel in The Tempest.  In addition to teaching theatre to all ages in the Richmond area, she serves as Program Director for CTC’s STAGE WRITE Program, Cadence/Virginia Rep TRAIN Pre-Professional Acting Training Program and SPARC’s New Voices for the Theater, a statewide high school playwriting program, and also serves as adjunct faculty for VCU, teaching Winning Presentations for the School of Business. Recently, she directed CTC’s acclaimed production of The Mountaintop (six 2016 RTCC nominations).

Janet B. Rodgers, Dialects

Janet Rodgers has dialect coached well over 130 theatre and film productions (most recently Cadence Theatre’s productions of Equus, Sight Unseen, A Lie of the Mind and AMC’s Turn) in the Richmond area. Recently she was the dialect coach for the PBS series Mercy Street.  She is Professor Emerita of Theatre at Virginia Commonwealth University where she taught for 25 years, was Head of Performance for seven years and created the first MFA with emphasis in Voice and Speech Pedagogy in the USA.  Prior to coming to VCU, she taught at the Boston Conservatory of Music and was principal actress with The Boston Shakespeare Company and Boston’s Lyric Stage as well as performing Off Broadway at La Mama Theatre. A Fulbright Scholar to Romania, she directed American and Romanian students in a production of Caryl Churchill’s play, Mad Forest, which was performed at the Sibiu International Theatre Festival in 2004. Recently she was recognized as ‘Distinguished Member’ for her many years of leadership in the international Voice and Speech Trainers Association (VASTA) and in 2009 received the ‘Distinguished Teaching Award’ from VCU’s School of the Arts. Ms. Rodgers holds a BA in Theatre Arts and Speech from Mount Holyoke College and an MFA in Theatre Arts from Brandeis University.  Additional training includes one year at the American Center for the Performing Arts in Boston, Shakespeare training with Jeremy Geidt at Harvard University and a Directing Internship at Harvard’s American Repertory Theatre under the tutelage of David Wheeler. Teacher, Author, Actress and Director, Ms. Rodgers’s career has always been devoted to the highest principles of the art of theatre and helping actors achieve their best performances.

Stephen Rudlin, Vocal Coach

Stephen Rudlin is currently the Vocal Supervsior/Coach for the 2016-2017 Virginia Rep productions of Junie B. Jones and A Christmas Story, as well as Cadence’s production of Violet. Most recently, he served as Vocal Supervisor/Coach for JFT/ Firehouse’s youth production of Les Miserables and for Cadence’s Best Musical Award Winning Caroline, or Change, as well as the critically acclaimed production of Virginia Rep’s South Pacific and The Fabulous Lipitones. Other credits include: They’re Playing Our Song, Cowgirls, A Christmas Carol, Cabaret Tonight, and The Bellini Sisters. His students have appeared in The Phantom of the Opera, The King And I, Peter Pan, Finding Neverland, and Mamma Mia, all on Broadway. Over 250 students have matriculated to such schools as Julliard, NYU, Harvard, Carnegie Mellon, Northwestern, Vanderbilt, Marymount Manhattan, Emerson, William & Mary, UVA, and Virginia Tech, and subsequently gone on to Broadway, Regional Theatre, and collateral careers in the performing arts and arts education. As a performer, Stephen has appeared at The White House, A Capitol Fourth, The National Theatre, The Kennedy Center, and Ford’s Theatre. He holds a BA in Theatre and Music from William & Mary, as well as graduate work at Manhattan School of Music and intense study with Jeanette Cross of Covent Garden, London, England.

Photo by Jason Collins Photography.

Contemporary Award-Winning Theatre

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